Marcus Levine and Painting with Nails

Usually we don't blog as much about painting, but in a sense, this is more like sculpting anyway. Marcus Levine is a true construction genius, implementing a knowledge of chiaroscuro into each and every one of his fantastic grayscale artworks. The catch here is the media that he makes use of.

Marcus sculpts (or paints?) with nails. That's right, industrial grade nails that we normally use for hanging or shutting things around the house. This artist has turned an ordinary utility into an extraordinary possibility. The proximity of one nail in relation to the next gives the ability to create "shades" in every piece Marcus makes. As a contemporary artist, he joins the ranks as being an sculpture innovator for 2012 (at least in our book).

In the second photo above, Marcus Levine is seen with his work, "Tamas Study 4". The artwork contains 26,600 nails and is on sale for £26,500 at the Hammered exhibition at Gallery 27, in London.

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Stacy Levi's Ecological Patterns in Contemporary Art

It's a rare thing to chance upon an artist whose passionate about the ways of the natural world. With several nature-inspired works such as River Eyelash ( 3,000 painted buoys responding to wind force on a river), Stacy Levi is an ecology patron who's also a one of a kind sculptor. It's not enough to say that academic taught her all of what she knows about art, because just as many artists often find their true calling through spontaneous emotion and activity, Levi found hers through the environment's gravitating influence on humanity. Many of her works sit atop river streams or woodlands and depict a rendering of nature in an raw form of grace and power.

Sculpture by Stacy Levi , Photography by Lionel Gruenberg

Her sculpture project in Mineral Springs Park, Seattle, is called Cloud Stones. These are made up of incredibly high gloss (polished) black stones that are in the shape of smooth domes. Text is inscribed by sandblasting material onto the domes and they tell the type of weather which cloud formations bring. White domes in the area also create a soothing and prominent evening presence and their color contrast with the black stones gives them more of a vibrance at dusk when the shadows return to the landscape.

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Origami Bonsai Sculpture

A few weeks ago we posted an article about the sculptural potential of Origami and Kirigami. Today upon browsing through some art prints, we found that among the origami artists of Japan, some consider a few form to be a hybrid between two types of art. Bonsai Origami is a combination of the paperfoldding craft and the tree-shaping craft, both popular art hobbies in Japan. In this hybrid hobby, the technique uses tree branches from actual plants, and combines these elements with paper flowers, leaves and fruits. This interesting artform was actually introduced by a foreigner; John Coleman in 2010.

Coleman wrote a book entitled Origami Bonsai during April of last year. Aside from his initial publication, Coleman still strives to improve the technique further. He developed a technique called Makigami which uses rolled up newspapers in specific contours to substitute the real tree branches. Coleman's organic passion for origami has taken the practice to a different level of orientation. He has adapted his own style into an age-old art form and has gained a number of followers at the same time.

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Kirigami, Sekkei and Comlex Origami Sculpture

Robert Lang, Meguro Toshiyuki and a few others developed a methodological system of origami paper folding called Technical Origami or Origami Sekkei. Unlike normal day-to-day origami folding, Sekkei Origami is more likened to an artform, specifically the artform of three dimensional sculpture. The creative output of Sekkei Origami can be characterized by complicated figures composed of well-formed details. Examples could include multi-jointed subjects with complex extremities such as toes, legs, tails and wings. Most of the usual patterns involved with this type of origami sculpting begins with something called the crease pattern, which is basically the overall layout of the creases needed to form the final model. Many origami sculptors develop their own compositions and designs by structural trial and error.

Surprisingly enough there are also computer programs that people use to aid them with structuring the comples diagrams of these origami types. Such include Doodle- which is used to create a photoshop file that has all the steps and figures needed to create a figure, and Treemaker- a program used to design a pattern of the final model.

Origami Sculpture (Hercules Beetle) by Robert Lang

Another alternate version of origami sculpture is Kirigami, where people make use of slices and cuts on the paper to form even more complicated joint systems and details. Because Kirigami includes the ability to cut creases, it gives a bit more flexibility to the artist, but makes each work more complicated for other people to replicate.

Origami may not be considered as fine or museum-type sculpture as a whole genre, but there are several artists out there who have mastered the art of folding, stacking and manipulating paper to the extent that galleries and shows have commissioned them to be a part of their collections. Origami has reached new heights in the world of sculpture, transcending price, time and even digital media. 

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Minimalism in Sculpture

For every complexity and detail observed in hyper-realism or naturalism, we can also see an opposite trait within the movement of minimalistic art. Whether sculpture or painting, photography or digital art, minimalism is a basic foundation that appeals to many in the community. Often thought over as elegant, avant-garde mannerisms of design, minimalism actually exhibits the trait of containing the strongest impact in the smallest of bodies. It portrays a certain type of aesthetic beauty that almost anyone can appreciate due to its simplicity in freeform and structure. Artists and theorists argued that minimalism conveyed every message that any other artform could, but through an extremist's definition of simplicity at work.

Free Ride Sculpture by Tony Smith (Minimalism in Sculpture)

The movement derives some of its traits from the Bauhaus period, making use of geometric abstraction. It also arose in combat to the rising complexity of abstract expressionism and non-representative abstract works that were diversely vibrant in color and composition. It was later followed by post-minimalism, which is symbolized by the usage of minimalism merely as a conceptual reference point and not a central theme.

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Sculpting the Environment

The term environmental sculpture will often bring up an image of something green. It would make you thing of something that's alive, or biodegradable, or at the very least something organic. Despite these stereotypical ideas which are not entirely wrong, many environmental sculptures generate there impact and beauty by pooling together the things that surround them and creating an assemblage of sorts. Just like in the picture below, this man-made scenery is actually an example of "Site-Specific" sculpture that resembles a spiral whirlpool in the ocean. This movement of sculpture began from contemporary abstract sculpture, but was transformed by several artists including Robert Irwin, James Turrel and Richard Serra.

Sculpture by Robert Smithson Photgraphy by Soren Harward

Sometimes called "land art" , these large sculptures or scenery designs can take months to create because of their unique media. It is indeed a challenge for any artist to get out there and use the earth as his canvas. Most environmental or site-specific sculptures are public artworks because of their great size and public availability. The artists that create them often have a purpose or message in mind that they would like the world to discover through their art. Popular themes of recent years include global warming, earthquakes, volcanic eruptions and remnants of typhoons. Similar to the plop art movement, these works can amass a common area and sometimes by opinionized by many as out of place, although plop art entails much more ostracizing than site-specific art because of its nature to be a random body.

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